Choireography
In this physical atelier, singers will experience how body work and “choireography” affect a musical piece and how movement is able to support the performance. The final concert of this atelier will be theatrical, and its theme “Humanity is taken by a storm” will bring all its constituents into one whole.
Repertoire
Laura Jekabsone (1985):
FATHER THUNDER (Latvian folk song)
Mick Jagger (1943), Keith Richards (1943), Amy Winehouse (1983—2011), Mark Ronson (1975), Michelle Grainge (19??), Tony Hayes (19??), Steve Wadey (19??)/Richard Fitzhugh (19??):
SOD (Mick Jagger, Keith Richards, Amy Winehouse, Michelle Grainger, Tony Hayes, Steve Wadey)
Paint it Black
Back to Black
Black is Black
Benj Pasek (1985), Justin Paul (1985)/Mac Huff (19??):
THE GREATEST SHOWMAN (Benj Pasek, Justin Paul)
A Million Dreams
Freddie Mercury (1946–1991), John Deacon (1951), Brian May (1947), Roger Taylor (1949), Guy Sebestian (1981), Jamie Hartman (1971)/Richard Fitzhugh (19??):
THE SHOW MUST GO ON
BEFORE I GO (Freddie Mercury, John Deacon, Brian May, Roger Taylor, Guy Sebestian, Jamie Hartman)
Imagine Dragons-Robin Fredriksson (19??), Mattias Larsson (1985), Justin Tranter (1980), Daniel Platzman (1986), Ben McKee (1985), Wayne Sermon (1984), Dan Reynolds (1987)/ Tom Johnson (1988):
NATURAL (Imagine Dragons-Robin Fredriksson, Mattias Larsson, Justin Tranter, Daniel Platzman, Ben McKee, Wayne Sermon, Dan Reynolds)
Henning Sommerro (1952)/ Tom Johnson (1988):
VARSOG (Hans Hyldbakk)
Stephen Schwarz (1948)/ Tom Johnson (1988):
DELIVER US (Stephen Schwarz)
The participants will be able to attend the atelier with original scores only. The use of photocopies shall not be permitted. We will offer affordable set of sheet music specified by mentors of the atelier. The participants will be able to purchase them only after receiving the confirmation of participation in the chosen atelier. The link to the online store will be published here in April 2021.
Mentors
Panda van Proosdij (NL)
Tom Johnson (BE)
He finds singing one of the most accessible forms of making music. Johnson reaches out to all groups in society: children and adults, choirs and schools, professionals and beginners, and hopes everyone can experience the joy of singing. It is his personal goal to combine this fun and playful style with a professional and vocal approach. He propagates his ideas to future conductors and teachers to make singing an important part of our society.
